A beautifully told and illustrated celebration of African American people and ethnology, Black Is a Rainbow Color thoughtfully explores what the Black experience means to a child. Starting with the young narrator's personal experience with the color black ("Black is the braid in my best friend's hair / Black are the bottoms of summertime feet"), then moving toward historical and cultural events ("Black was the man / who gave the world his dream"), each line emphasizes the positive connotations of the word. Accentuating these efforts are Holmes' (Voice of Freedom, 2015) gorgeous illustrations, which are reminiscent of stained-glass church windows and manifest the many ways people of African descent can be beautiful. After the rhyming text, Joy supplies historical and cultural notes (including descriptions of how each page spread relates to a specific segment of Black history and a time line of the words used to describe Black people since the first enslaved people arrived in colonial America), a song list featuring deliberately chosen celebratory music from throughout the decades, and three poems. All provide context for the people depicted within and for the mores of each era. A must-have for children's collections.

A young black child ponders the colors in the rainbow and a crayon box and realizes that while black is not a color in the rainbow, black culture is a rainbow of its own. In bright paints and collage, Holmes shows the rainbow of black skin tones on each page while Joy's text describes what "Black is" physically and culturally. It ranges from the concrete, such as "the braids in my best friend's hair," to the conceptual: "Black is soft-singing, Hush now, don't explain' "a reference to the song "Don't Explain" made popular by Billie Holiday and Nina Simone, the former depicted in full song with her signature camellia and the latter at her piano. Joy alludes throughout the brief text to poetry, music, figures, and events in black history, and several pages of backmatter supply the necessary context for caregivers who need a little extra help explaining them to listeners. Additionally, there is a playlist of songs to accompany reading as well as three poems: "Harlem," by Langston Hughes, and "We Wear the Mask" and "Sympathy," by Paul Laurence Dunbar. The author also includes a historical timeline describing some of the names that have been used to describe and label black people in the United States since 1619.Both a beautiful celebration of black culture and an excellent first black history book for young children. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

A young girl sits on her stoop contemplating the colors of the rainbow, then notes, But my color is blackand theres no black in rainbows. There is, however, black in a crayon box, black in nature (a feather in snow), and black in fun (the bottoms of summertime feet). And the black of Black culture is rich indeed, as the succeeding pages show. The rhyming text uses familiar symbols and motifs (black-eyed peas, a cooking skillet for bread to fry, blues music) as well as allusions to specific examples of African American art, music, poetry, and literature (Black are the birds in cages that sing) to create a mosaic of a community and culture that survives and thrives. Holmess illustrations use heavy lines and strong colors with soft touches of collage detail to represent everyday children as well as the iconic figures referenced in the text. Details in the back matter increase the books value: theres a playlist; an explication of selected phrases (Robe on Thurgoods Back; Dreams and Raisins); several poems by Langston Hughes and Paul Laurence Dunbar; A Timeline of Black Ethnonyms in America (from Negro to black to Black); and a bibliography (for adults). A treasure trove of positivity, strength, and pride for anyone seeking to uplift and educate young people. Autumn Allen January/February 2020 p.72(c) Copyright 2020. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.